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Wolf Song 1:450:00 / 1:45
“"The music of the Indian is the spontaneous and sincere expression of the soul of a people. It springs from our own continent, and is thus, of all music, distinctly American. If Indian song be encouraged with Indian, and recognition of it awakened among our own people, America may one day contribute a unique music to the world of art." ”
— - Natalie Curtis, Musicologist
Association of Native American Music
The National Association of Native American Music was established in 1998 as a 501c3 to celebrate the rich music heritage of the nation's first people and educate the general public. The organization is committed to preserving the past and promoting the future of Native music culture. The Association is responsible for collecting and archiving Native American Music as well as honoring those highly esteemed artists in the music and entertainment arenas into the NAMA HAll of Fame. The Association also responds to Call to Actions from various tribal communities including: suicide prevention awareness, emergency heat, Christmas toy drives, and music instrument donations to veterans with PTSD.
Remembering Lifetime Achievement Award Recipient, Multiple Award winner, and Grammy nominee and winner, Joseph FireCrow who lost his battle with Idiopathic Pulmonary Fibrosis. We thank all our members who came to their assistance and helped us raise over $5,000.00 plus a matching donation from MusiCares bringing our total fundraising efforts to $10,000. He was on the waiting list for a bilateral lung transplant. Joseph and his wife Joann faced numerous costs for his hospitilization, treatments, housing, surgery, and required travel and accommodations. May his journey be blessed by the creator.
THE NATIONAL ASSOCIATION FOR NATIVE AMERICAN MUSIC IS RESPONSIBLE FOR EDUCATING THE GENERAL PUBLIC ON NATIVE AMERICAN MUSIC INITIATIVES
The Native American Music Association (NAMA) was founded in 1998 in New York, New York. The Association currently consists of over 200 registered Advisory members and over 20,000 registered voting members. The Association was the first trade organization formed to promote the genre of Native American music and popular musicians and entertainers of Native American heritage. The goals of the organization are to educate the general public and ensure a greater understanding of Native American music by promoting it to fellow artists, radio stations, record labels, publishers, booking agents, and others while also offering greater exposure and networking opportunities. Each year, the Association produces a program of the annual Native American Music Awards and Hall of Fame to honor National Native American Heritage Month. The Association also researches and manages radio airplay, sales activity and new recordings released each year. We publish news, conduct marketing research and and disseminate information about important events and occurrences in Native American Music and Entertainment. (13-4032761)
-Presenting Special Music Events & Hosting A National Awards Show
-Ensuring Native American Music Is Continually Recognized by the GRAMMYS
-Serving As A leading source of information for on Native music for music festivals, events, schools and various productions
and much more.
THE NATIONAL NATIVE AMERICAN MUSIC ASSOCIATION
A Non-Profit 501(c)(3)Founded 1998
Native America is a culture and a people deeply stemmed and intertwined in music since the onset of their existence. We have a song for every aspect of life; ceremonials, sports and dance to courting, birth and death. We have survived incredible oppression and challenges. Today, we celebrate our survival through music and dance. With the increasing popularity of today's Native American music, the Native American Music Association is helping Native societies transform as our music provides a continuing capacity for community renewal and cultural enrichment.
BOARD OF DIRECTORS:
Ellen Bello, Rose Fernandez, Andy Anderson, Leon Thompson (Yaqui), Kim Acosta (Ojibwa), Joseph Bello, James Bordeaux (Sicangu Lakota Oyate), John Frazier (Ogalala Lakota), Butch & Billie Artichoker (Lakota), Michael Kickingbear (Mashantucket Pequot).
Over 200 Advisory Board Members:
Alexander Van Bubenheim
Alex Cruz (Tohono O’odham)
Andy Fuentes (Confederated Tribes of Warm Springs)
Annette Abbondanza (Cherokee/Sioux)
Annie Humphrey (Ojibwe)
Arturo Hernandez (Raramuri/Tarahumara)
Atsiaktonkie David (St Regis Mohawk)
Barbara Morrow (Aguila)
Brandon Roberts (Chickawa/Ponca)
Brenda M. Attencio (Ohkay Owingeh/San Juan Pueblo)
Bruce E Sharp
Buzi Two Lance (Oglala Lakota)
Callie Bennett (Dine)
Calvin Standing Bear (Oglala/Sicangu/Rosebud)
Calvin Standing Bear (Rosebud Sioux)
Candace Tarpley (Tuscarora Tsalagi)
Jae Enriquez (Tohono O’odham)
Cecil Gray (Kiowa)
Chase Monchamp (Mvskoke Creek/Leech Lake ANishanaabe)
Chaz Wagner (Ojibwe/Chippewa)
Christy Goulet (Turtle Mountain Band of Chippewa)
Connor Chee (Navajo)
Dail Martin Dragonfly (Huron/Wyandot/MicMac)
Dawn Avery (Mohawk/Ojibwe/Oneida)
Dawn Avery (Mohawk)
Delana Deere Ayers (Absentee Sawnee)
Delmer Forgets Nothing (Rosebud Sioux)
Desja Eagle Tail (Crow/N. Cheyenne/Seneca/Cree/Arapaho)
Donald Blackfox (Mikmaq/Cree)
Felipe Rose (Taino/Lakota)
Frank Waln (Rosebud Sioux)
Gabriel Nightshield (Rosebud Sioux)
Irvin Bahe (Navajo)
Irv Lyons Jr. (Oneida)
Jaaji & Chelsey June
Jack Flute Holland (Cherokee)
Jack Kohler (Hoopa)
James R Marsden (Mississauga Nation)
Janel Munoa (The Pechanga Band of Luiseno Indians)
Jan Michael Looking Wolf (Kalapuya-Grand Ronde)
Jeanne Bedell-Bailey - Bay Mills Ojibwe)
Jeremy Dutcher (Wolastoq First Nation)
Jiiniikwe Medicine Bird (Fire)
Jim Pepper Native Arts Council
Joanne Shenandoah (Oneida)
Joy Harjo (Muscogee Creek)
Kayla Tom (Navajo)
Keith Secola (Anishinaabe)
Kelly Derrickson (First Nation Sylix)
Kelvin Mockingbird (Navajo)
Kyla Freichert (Oglala)
Lester Seven Star Greenwood (Metis of Maine)
Lucas Ciliberti (Cherokee)
Luis Capcha Vilchez (Quechua)
Marcella Jones (Bad River Ojibwe)
Mary Kitchen (Cherokee)
Miguel Castillo (Oglala)
Morgan James Peters (Mashpee Wampanoag)
Murphy Platero (Navajo)
Nick Lone (Seneca)
Northern Cree (Cree)
Paco Fralick (Lac du Flambeau)
Palmer Tolly/People of the Star Composers (Choctaw/Cherokee)
R. Lily and Lola Williams (Navajo)
Randy Kemp (Choctaw/EucheeMuscogee/Creek)
Randy McGinnis (Cherokee)
Randy Wood (Cree)
Richard Stepp (Cherokee)
Rick N Kimball (Comanche)
Robert Freightrain Parker (Seneca)
Sandra Sutter (Cree Metis)
Scott Cunningham (Echota Cherokee of Alabama)
Scott Kalama (The Confederated Tribes of Warm Springs Oklahoma)
Sial Thonolig (Tonhono O’odham)
Sten Joddi (Mvskoke Creek Nation of Oklahoma)
Steven Rushingwind Ruiz (Cahuilla)
Sydney Kokopelli Girl Phipps (Metis/Lakota)
Tchiya Amet (Cherokee/Tsalagi/Lakota/Saponi)
Terry Tsotigh (Kiowa)
Tommy Wildcat (Cherokee Nation of Oklahoma)
Tony Enos (Echota Cherokee Tribe of ALabama)
Tracy Lee Nelson (La Jolla Band of Indians/Luiseno/Diegueno)
Trent Agecoutay (Cowessess First Nation)
Vince Fontaine (Ojibway)
Wayne Buggin Malone (Oneida)
Waziahanhan Siyotanka Okolakiciye (Oglala Lakota)
Women of Heart (Passamaquaddy/Cherokee)
Yolanda Martinez (Apache/Comanche)
Plus Over 20,000 registered online Voting Members
CONTRIBUTE TODAY & SHARE IN A HISTORY FOREVER
The Native American Music Association is the world’s leading resource for Native American music. USA Today has urged the national public to “take us seriously” and the New York Times has credited it's founder, Ellen Bello's life's devotion "to bringing indigenous music to the world's consciousness”.
The Native American Music Association (N.A.M.A.) was established in 1998 as a 501(c)(3) surrounding the national debut of the Native American Music Awards in order to celebrate the rich musical heritage of first nation's people while educating the general public.
Our organization remains committed to preserving and promoting Native American culture through both traditional and contemporary music initiatives. Our organization also responds to Call to Actions from various Native communities including; emergency heat efforts for low income families, annual toy drives for impoverished children, musical instruments for those who have served our country, and national suicide prevention awareness campaigns.
FREE WINNERS CD Various Artists
YOUTH SUICIDE PREVENTION CAMPAIGN
Suicide is no stranger to Native Youth. Reservation youth suicide is at an epidemic rate and mong the highest in our country. Our nominees and winners serve as positive role models for our youth. Following the lead of two -time NAMA Award winner Nake Nula Waun (Rosebud Sioux), NAMA makes a major show of support and strength by giving our recording artists a yellow suicide prevention awareness bracelet during their on-stage appearance at our Annual Awards ceremony. Additionally, NAMA has begun recording a series of PSA's on Suicide Prevention to distribute as a public service to reservation radio stations across the country.
FREE MUSIC PROGRAMS
NAMA visits and entertains sick children undergoing treatments for life-threatening illnesses at local children's hospitals in and around New York City..Intended as a healing program for children and their families, "Let The Children Play," presents a a fun and entertaining Native American musical experience for these ailing children. Each Christmas, NAMA also holds a toy drive campaign to provides Christmas toys for underprivilidged children including the 7,500 toddlers and children ages 1 - 18 on the Rosebud Sioux reservation in South Dakota. NAMA has also produced a Native American educational festival featuring: storytelling, horseback riding, birds of prey, bow and arrow shooting, tipi painting, music concerts and much more for children.
PROVIDING FREE INSTRUMENTS FOR VETERANS
NAMA Living Legend Award recipients, the Navajo Code talkers were first awarded by the Native American Music Awards in 1999. From the Code Talkers to Iwo Jima's Flag Raiser, Ira Hamilton Hayes, and the late PFC Lori Piestewa, the first Native American woman to die in combat on foreign soil in Iraq , NAMA continues to honor our veterans past and present. In coooperation with Operation Music Aid, NAMA is providing musical instruments to wounded Veterans. Native Americans share a proud history in serving our country. According to the Department of Defense, American Indians and Alaska Natives have one of the highest representations in the armed forces. In conjunction with Operation Music Aid, based in Madison, Connecticut, and founded to supply guitars and keyboards to wounded military service personnel now in military hospitals for extended care, NAMA has been providing free instruments and Native American Music Cds to Native American veterans including those suffering from PTSD.
PUT THE HEAT ON
The Native American Music Association, lead a national effort in Winter 2008 - 2009 to provide emergency heating assistance for the Elders, children, the disabled, and the sick on the Pine Ridge Reservation in South Dakota. In early November '08, a severe blizzard throughout South Dakota knocked over 1,000 power lines down, created 20 foot snow drifts, and left residents of Pine Ridge burning their furniture and melting snow as their only source of heat and fresh water. This blizzard which was reported as South Dakota's worst in 60 years, arrived early for the Winter Season with brutally cold months from January to March where tempatures go below 0. A second blizzard with wind up to 80mph and 8 to 30 inches of snow arrived on Pine Ridge on March 23 and March 24th leaving many more in need of emergency heat and utilities. N.A.M.A. continued to call upon its international membership to make donations in order to purchase and provide emergency heating assistance determined by the needs reported to each local Community Action Program office (CAP) throughout all nine districts of the reservation. N.A.M.A. also built its own task force in South Dakota to monitor and assist in filing emergency applications for those most in need of heat. Over $15,000.00 in propane gas, electric heat and fire wood was provided and distributed.
Throughout our history, members of this all-volunteer Association have celebrated and shared many other successes;
-Successfully proposed a new category for Native American music in the Grammies in 2000 which was recreated as an American “Roots” category in 2011 which we serve on the committee for.
-Trained Native American youth in concert events and productions
-Established a cultural diversity program to recruit Native American employees at MTV Networks
-Educated and entertained employees of parent company, Viacom with music programs
-Placed Native artists in collaborations with mainstream artists
-Commemorated National Native American Heritage Month as proclaimed by the President of the United States each November
-Returned a lost song of the late Apache leader, Geronimo, back to his family
-Provided emergency over $15,000 in emergency heat (proprane, electric heat, and/or firewood) in freezing tempatures for in over 150 sub standard homes on the Pine Ridge Reservation
-Provided toys for children on the Rosebud Reservation at Christmas time
-Presented special music concerts and performance opportunities from Alaska to New York City and in between.
-Received letters of acknowledgement from Presidents and a proclamations from Mayors
-Maintaining the world's largest national music archive in all formats housed since 1990.
"The music of the Indian is the spontaneous and sincere expression of the soul of a people.
It springs from our own continent, and is thus, of all music, distinctly American.
If Indian song be encouraged with Indian, and recognition of it awakened among our own people,
America may one day contribute a unique music to the world of art."
- Natalie Curtis, Musicologist
"...a charm of spontaneity that cannot fail to please those who would come near to nature
and enjoy the expression of emotion untrammeled by the intellectual control of schools."
- Alice Fletcher, Anthropologist
"The Medicine Man, taking his music with him, is passing quietly into the Great Silence where the old songs, were received in dreams."
-Frances Densmore, Ethnographer
The Native American Music Association was first formed with a hope that one day Native Americans in the United States could receive equal recognition as musicians. Until our organization, the music of Native Americans remained hidden from the mainstream. N.A.M.A. provides the needed inspiration and exposure for those who want to share the gift of music with the world. The Native American Music Association is the largest & only professional membership based organization for the advancement of Native American music initiatives & expressions across the country and around the globe.
Originally traditional music was an integral part of Native American life and tribal identity, such as; round dance songs and flute music. Native American music has grown to encompass many contemporary genres such as; rock, pop, blues, hip hop, country, and new age as well as have created some unique genres that remain distinctly indigenous such as; Waila or Chicken scratch, and Native American church music.
We have produced the various programs including the Native American Music Awards. Our programs honor our Native song makers, foster pride in our First Nations young people, and provide national and international exposure, celebrating our gifts of musical expression with others around the world. We create additional opportunities for our Award winning artists to serve as important role models for our Native American youth, inspiring them to follow their dreams, to be successful, to lead healthy lives for future generations.
NATIONAL MUSIC ARCHIVE:
Today, we are the World's Leading Resource for Contemporary and Traditional Native American Music Initiatives consisting of over 200 Advisory members and 20,000 registered voting members. Our Association promotes diversity and celebrates the rich cultural heritage of our nation’s first people on a national and growing global level. Our organization is committed to preserving Native American culture and continuing the traditions of our ancestors through traditional and contemporary music initiatives and programs. Native American Music is strong and alive and we remain the only legitimate and professional organization exclusively committed to preserving and promoting Native American music today. We acquire approximately 150 to 200 recording entries each and every year. We showcase over 30 different Native American music genres each year at our annual Awards ceremony while adding new categories when necessary. The Native American Music Awards celebrates a cultural revival through those that have preserved, adapted and prospered in the fields of traditional and contemporary musical excellence.
MORE ABOUT NATIVE AMERICAN MUSIC
The Native American Music Association, a 501(c)(3) organization preserves and promotes the rich oral history of Native America. Used in all aspects of life, music and song marked every public event and private occasion in American Indian life. Historical information, lineage, stories and tales were passed from generation to generation through song. But traditional Native American music is becoming lost forever. For the true generations that can preserve the stories and the songs, they are the oldest – the elders – who comprise a population that is steadily dwindling. With the loss of elders also comes the loss of language, cultural traditions and an important part of our own history, the oral history of the First Americans. Native Americans also suffer twice the proportions of unemployment, poverty, and alcohol related deaths than the national average. Native youth face immense pressures, challenges and limited opportunities. For those that overcome the immense obstacles they face, they are empowering themselves and rejuvenating their culture through contemporary music initiatives.
CULTURAL TRADITIONS VS. CULTURAL RENEWAL
With it’s roots firmly planted in traditions hundreds of years old, music and song were, and still are, an integral part of Native American life. Without a written language, care was taken to transmit songs accurately, from generation to generation. As part of this nation’s folklife, the early fieldwork of scholars, anthropologists, and ethnomusicologists proved that traditional music was just as emotional, complex and cultivated as any other modern art form. The drum is considered the heartbeat of all that is. Other natural instruments such as; Rattle, Whistle, Cowhorn, Flute, and Bells, whether given by the “Creator” or made by skilled craftsman, facilitated a symbolism of sound and image and an interaction and relationship to all parts of the living world. As Native American music evolves, artists compensate their lost nature world using European-influenced and electric recreating earth sounds. Like the tradition keepers of ancient times, today’s musicians still can offer their communities the capacity for cultural renewal and tribal enrichment.
The arts are rich and inexhaustible resources which help our young people learn and grow in healthy ways. Music is one of the most important forms of self-expression which can help young people cope with difficult feelings. Through new music initiatives, Native youth are building resiliency, increasing their ability to express their emotions, and learning to manage their feelings in healthy ways. Together the Association & Awards continues to provide the needed hope and assistance for these individuals to become great catalysts for change.
Join us in preserving the history and heritage of Native American for all of America through our arts and education programs.
While there are many concerns to face these days that are specific to government, state, or region, there are certain issues that affect all Native communities throughout the United States. Native peoples suffer from high rates of poverty and unemployment.Throughout history the territorial dispossession of indigenous peoples has gone hand in hand with natural resource exploitation. Native women and children suffer from an epidemic of violence. Many Native Americans live on reservations in substandard housing. Many suffer from high rates of diabetes, obesity, substance abuse. Native languages are struggling to survive. Today, from the Dakota Access Pipeline in the U.S. to the Tar Sands in Canada, Indian nations are standing on the front lines of opposition to hydraulic fracturing and pipelines that are violating treaty rights, threatening the environment and contributing to climate change in the process.